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reddragdivaI've been overplaying Severed Heads. (Josh's fault.) Liz has been requesting a change of playlist.
Tom Ellard on how it's done:
"I hate the idea of people calling up 'patch 61, strings 3' and writing a song round it. It's as important to think how sounds fit vertically into their respective frequency levels as it is to progress through the notes horizontally.
"You have to spend a certain amount of compositional time not assembling things, but just listening ... look out for bargain-bin records, listen to radio shows where you think there might be something ... If there's something on TV about the mating habits of slugs, reach for your Walkman!
"... From hours and hours of material, you'll end up with three seconds - but that three seconds will be exactly what you want."
(From Electronic Soundmaker & Computer Music, June 1985 - page 1, page 2.)
Does anyone use tape loops any more?
I am firmly convinced - as firmly as I am that the Sisters of Mercy fucked up goth music for everyone - that the drum machine was industrial music's greatest mistake. Twenty minutes of machine repetition is dull; twenty minutes of a human pounding out that beat is interesting.
"If you loved the first single but only on vinyl, if you thought 'they' went downhill after the first album, if your record collection is centred around the year you turned 16, congratulations - you're a Clifford. Time will change but your listening choice won't."
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Date: 2003-03-31 06:20 am (UTC)*hits you over the head with my 18-inch thin crash*
I never get over how good that darling sounds :) although the 22-inch ride is better for building up noise, unusually. Guess it's the dent that does it :/ although it doesn't sound out of tune.
Incidentally the spot to make a sound an octave higher than all the frequencies on a drum head is about a third of the way out. Can't remember where i left the derivation though, probably stuck to a floor somewhere. Sounds good in intros.